My third semester at TC just ended yesterday, with the most exhausting paper I've ever had the pleasure of writing. The work I've been doing this semester has been really important for me. It's all been so moving, that I wrote a poem! The poem is a little bit about my traveling spirit, so it fits in with the rest.
Friday, December 13, 2013
My third semester at TC just ended yesterday, with the most exhausting paper I've ever had the pleasure of writing. The work I've been doing this semester has been really important for me. It's all been so moving, that I wrote a poem! The poem is a little bit about my traveling spirit, so it fits in with the rest.
Friday, January 11, 2013
Big Sky
Saturday, September 29, 2012
Roar Lions Roar
But alas, no one had any idea of why some of the musicians didn't have instruments and were rolling around on the grass while the flutists and tuba players gyrated along to their rendition of...I don't know what song. Roar Lion Roar? Speaking of Lions, Roar-y is kind of creepy. His plastic eyes look blood-shot :
| Roar-y looking on with undisguised pride |
Saturday, September 15, 2012
Growing Roots
I'm going to stay put for a few years. From Rio, to New York, to Boston and back. California, then a private re-aquaintence with the soil of some of our United States via mini-van, road map and tent. I've spent the last few months, and the last few years, indulging my wandering soul.
Now I'm going to let some roots grow. In New York City. In Harlem.
Harlem's a good reentry. I'm not a foreigner here, but I am an outsider . I try to imagine where my place is in Harlem's story, and I find myself thinking about history a lot. The terrible and beautiful history of the world, of this country. The histories of black people and white people in the United States. Our history together. I think about these things when the man at the barber shop on the corner tips his hat to me, I think about them when a tour bus passes me down Malcom X Boulevard. I think about history all of the time now. It's a funny aspect of living in my own county.
Today, I joined a tour of Harlem for Nation Black Female Photography Day. My roommate Zoriada was the tour leader. It was a beautiful sunny day, with a sharp sun and a chill in the air. The group of more than forty meandered down the quiet streets and alley-ways of Strivers Row, examining the dapples of trees upon well preserved brick facades. Zodi explained that these buildings were originally constructed in the late 19th century for white families, but when the developer ran out of money the bank finished the project and sold the units to black families for $8,000. The families were characterized by their social, professional, educational aspirations, thus the name "Strivers Row".
We also visited the Schomburg Center for Research in Black Culture, where I was struck by a photograph of a cellist in an exhibition of Gordon Parks. And finally, the tour finished with a "Great Day in Harlem"-style portrait of all of the beautiful women and men who joined the tour. As we all crowded the steps of a brownstone, the women next door cleaned her window and scowled.
I write this with Andre Tanker (one of my mentors in Trinidad!) music blasting through my window. Earlier it was Salsa, and later on it will be live jazz. On Wednesdays it's the disorganized grunts of an open mic night, and when there is no music, I can easedrop on my neighbors.
Monday, June 11, 2012
Festa de Tomate
Swiss Lemonade kills colds. I know this because I've been resorting to it for a few days since I noticed my throat was looking a little white. I'm a week away from bidding my fair love city goodbye, so I cannot get a cold right now. Three days, 8 enormous glasses of lemon juice, and 2 sleepless nights later, and I'm still fending that cold off.
I did loose my voice, but I'll chock that up to screaming for hours.
Why was I screaming for hours? Nothing sinister: I went to a concert. More accurately, I thought I was going to concert, when in fact I was going to the Tomato Fest. The Festa de Tomate happens in Paty de Alferes, two hours out of Rio de Janeiro city. Like all good adventures, I went into this blindly, lured by the name of one of my favorite musical artists, Arlindo Cruz. It was easy: we took a bus and two hours later got dropped off at the misty, light-bulb strewn empty field that was serving as a parking lot. Beyond the strings of yellow halo-ed balls of light, there were bigger, brighter lights: Carnival Rides! This wasn't going to be a hippy tent marajuana music experience, as I had assumed. This was a regular county fair!
We walked by the guys getting drunk next to their cars across a little bridge, and into a neon stick-food paradise. Sausage on a stick; chicken on a stick; candy apples; cotton candy; chocolate fondue shish kabab strawberries... Crepes on a stick? We purchasesd our R$20 tickets from a scalper (my friend Aurora is all about scalpers), and in we went...
9:00 pm is a little early for Brazilians. We had the place to ourselves, and so for an hour we wandered around the fair grounds. A cover band played a good selection of Beatles tunes as we checked out the winning tomatoes, peppers, maracujás and laurel leaves. Aurora sampled the chicken espetadinhas, and I opted for a more suggestive salchicha, and we ate in front of the looming "Ranger", for sure the center-piece of the ride aspect of this fair. "The Ranger" sparkles and glows and whirls people into the air, upside down and backwards in a wind-mill style adrenaline rush. We hadn't seen it in action yet, and I have read enough Brazilian news papers to not feel like breaking the Ranger in, so we veared towards some bleachers where fireworks and barulho were attacting crowds. Through the smoke of a million cheap firecracklers, I could see young men in cowboy hats and jeans with decorated leather chaps. They were praying in front of a Madonna idol framed with raining fire, and a deep godly voice was loudly explaining to us that Deus is in everything, and is the ultimate everything everything everything la la la. When that finished, The Gringo rolled out on his motorcycle, tore up the sand a bit, flew through a hoop of fire, and then fell when a poor girl from the audience joined him on the back of his ride for a romantic spin around the arena. Hahaa! No one was hurt, not to worry.
Next came the cowboys. This was my first rodeo! I was surprised that they really celebrate the bulls. A big white one got to parade in front of us for a while alone before he was hidden away again. The cowboys and the bulls came out together, flaying around for a few seconds in a jerky dance. We could only stand this for a little while...the noise was too much.
We then went on the rides: the Ranger, a pirate ship, and "The American Show". The American Show is hard to explain: from the outside it looks like a two-story house spray painted with naked ladies at a car wash. I thought it was going to be a peep-show, but was thrilled to find out it's in fact a series of gears and mechanical things concealed by plywood that you have to walk over in the dark and pretend you're a car going through a car-wash. It was really scary! A couple of 9 year old boys went ahead of us and even they were scared (but they tried to help us ladies through, being blossoming Brazilian men). We were all pretty sure our legs were going to be ripped off by some malfunction, and I think we were in the dark corridors for a long time, just standing there, trying to detect if we were in any real danger. As we emerged into the Carnival light again, some air sputed up from a hole in the ground and blew my shirt up in front of the crowd waiting for The Ranger. Insult to potential ingury.
Ah, these kinds of surprises are what makes my world go around. At midnight, the concerts began and were wonderful. I got to sing "Meu Lugar" along with Arlindo, one of my ultimate Brazilian dreams, and he wiped the prolific sweat off of his head with t-shirts and threw them to the crowds. Very sensual. Marcelo D2 followed up with another really good show. By 4 o'clock Aurora and I were eating meat again at some stand, surrounded by a drunker group of be-legginged,-be-cowboy hatted, be-booted Brazilians of all ages. We didn't know how we were going to get back to Rio, but that wasn't a concern. Of course we would find a way. And we did: bus-bus-train. We caught an omni-bus to Jacarí through the morning mist. The sun was hidden behind clouds and grassy hills, and everything was damp and rural and clean looking. I slept on the train through Madueira and past Mangueira. In Rio the metrô was excesively airconditioned, and I stopped by the juice stand to buy some more limonada on my way home. 10 o'clock found me snoring in my sleeping bag. So far my cold is only a quarter-cold. I've just got to fend it off for 8 more days and Mom will take care of me!
Wednesday, April 11, 2012
Masa Masa
After living somewhere for a while it’s inevitable that one establishes a routine, right? I find myself these days totalmente sem tempo...What about the hours I’m supposed to be baking on the beach? I haven’t done that for weeks! Is this what it really means to be Carioca? (*Interesting etymological note: oca, in Tupi, the indigenous language that was spoken before the Portugues arrived, means big house. Kari means white man. So Carioca means house of the white man, and that’s what people from Rio are referred to as).
Where am I spending all of my time? Mostly on the train. That lumpy bumpy uncomfortable train of plastic seats. Why oh why do they curve the seats right in the middle of the back? It hurts so much when we lurch or jolt- a hard crack to your back bone. And the carcophony of vendors. I like a few: the guy who has colorful make-up cases and always hangs his display from a hook off of the hand-bar above where I sit, so it hits me in the face. And the young energetic water guys are pretty cool. Everyone loves the sorbette sellers, but one in particular has hawked his way into my heart. He sells plastic water bottles with a freezable ice-cube thing attached to the lid. He has a laminated newspaper article about his wonderous water bottle that he shows us, his captive audience, and he’s quite gentile, yet convincing, in his pitch. Today a man with a mullet bought one even though the only color that was left was pink! And my vendor has really nice muscles.
The reason I’m on the train so much is because I go to Parada de Lucas so much. Today a few of us put the masa up on the concrete walls in preparation for painting. The first time we attempted this, the masa was ruin, so it was hard, frustrating work. This time, the masa was perfect: fluffy, white, beautiful! It was so easy to spread across the walls with the metal spreader tools. So, today masa-ing was um prazer. We got a little kooky in there with the radio, too: dancing forro, singing “Eu se pego” and “Nossa alegria”, trying to get the Swiss guy to stop swearing, sliding around on the wet tiled floors.
Yesterday I was at P de L to teach English. I’ve got a group of 5 crianças, aged 10-19. They are a joy! I must have gotten better at teaching ‘cause these kids get there early and don’t want to leave when class is over. Yesterday was the day before Easter holidays. Easter here means big chocolate eggs decorated in shiny plastic, and I think that you’re supposed to buy them for any children you know. I bought grapes instead, and they liked them, because we played that game where you stuff as many grapes in your mouth as possible (learning how to count in English was the excuse). The Swiss guy’s parents also visited recently and guess what they brought? Chocolate. A bar was donated to my class, and I distributed it at the end. Most of the kids went for it and ate like normal kids eat chocolate. But Julia, a skinny 12-year-old who is wired most of the time, savored it like a connoisseur. It was so cool: she took tiny little bites and let it melt with her eyes closed. She only ate a bit and saved the rest for her mom. So elegant!
Parada de Lucas...I’ll write about it later, tá?
On the way back today, after paying our train ticket and entering the platform, me and the Swiss guy realized had a long wait ahead of us, so we tried to let the train lady to let us out to buy some ice cream. She couldn’t let us out and then let us back in for free, but she did give us a key to a secret door down by the tracks. We had to jump down into the tracks and climb up to the other side, where there was this door...but we couldn’t get it to open. Too rusty. Oh well. I don’t really need any ice cream. Getting back up onto the platform was an adventure enough.
On the ride back, I always try to look through the scratchy windows for the people on the tracks. The crack guys are still down there smoking (not in Parada de Lucas, another train stop). Their neighborhood is Manguinhos, and it looks like it’s being knocked down slowly. The houses facing the tracks are often missing walls. I used to be so fascinated by this area, but now I’m not. I think this has something to do with riding through Centro Barranquilla every day for a year. Even though I’m in Brazil and I’m in Rio de Janeiro and it’s fantastic and amazing, everything is not as exciting as the first time I was here. I think I’ve reached a new level of traveler.
Saturday, March 10, 2012
Broadening my Horizons
Sunday, February 26, 2012
The Sambódromo Experience
A felicidade do pobre parece a grande ilusão do carnaval
A gente trabalha o ano inteiro por um momento de sonho pra fazer a fantasia
de rei ou de pirata ou jardineira
Pra tudo se acabar na quarta feira
The happiness of the poor is like the big illusion of Carnaval:
We work all year for one dreamy moment
to dress up like a king or a pirate or a gardener,
For everything to end on Wednesday.
(from the song "A Felicidade")
Samba schools. I didn’t actually go to a school this time. Everything gets kind of critical and secret as carnaval nears. The closest I got was when my friend Alessandro and I drove by Mangueira on a spontaneous tour of the city (which deserves a separate post), and I learned that the sprawling favela that my train to Parada de Lucas passes through is the home to this most-popular of samba schools...now I really want to get off there!
Guess what Mangueira's colors are?
As Carnaval approaches, the escolas de samba start moving from their home bases into the Sambódromo and the Cidade do Samba. The Sambódromo is a parade structure built by Oscar Niemeyer in the ‘80s. This year they expanded the seating so more people could attend, but the tickets are still too expensive for most Brazilians. I went to Beija Flor’s technical rehearsal at the Sambódromo the Sunday before carnaval, which was free, so the many people who can’t afford to see the actual parade (and who are perhaps from the neighborhood of the school) attend the rehearsal. There are no floats, fireworks, or elaborate costumes, but the school sings and the bateria plays, and the crowd enjoys it for everything it’s worth (and it’s worth a lot, even though that night is free). The entire school (5,000 or so people) has something like 80 minutes to pass through the 700 meter long passageway. In the meantime, they’re singing and dancing and acting out the elaborate story that the school has chosen as a theme for the year: a famous Brazilian painter, a comparison between England’s 2012 Olympic games and the ones in 2016 that will take place here, famous theatrical productions, Angola...
Free
Not free
Not only did I get to see Beija Flor, I also got to see the 105 year-old Oscar Niemeyer, who took a tour of his creation in a golf cart before the school passed by. What a man! He looked sort of like Humpty-Dumpty from where I stood, but at 105 you can look like whatever you want, especially if you’re proceeding a samba school! There was also this little old lady who was walking around down there before the school: I guess she’s a local, and she kind has the run of the town, so she often takes the liberty to do a little dance before the show. And everyone knows who she is. We’re talking about a city with a population of around 6.5 million...and a kind of small town feel when it comes to local characters!
Free
Not Free
Finally, to finish it all off, as I left a party at Pedra do Sal the other night around 1:30, I was waiting along Rio Branco for my bus and suddenly...big, colorful floats were rolling my way. Floats from all of the losing schools, heading home I guess. Pushed by barefoot, shirtless men, with no sparkely muscular women or pounding bateria. Just the floats and the men, rolling down Rio Branco. They smiled and waved, I did too. It was one of my favorite parades ever!
The bloco
Bangalafumenga
Yet again, I cannot say that I really know what was happening during these two weeks. In Trinidad, I was lucky to be learning about Carnival with an academic eye while I participated. But I’ve realized that what I learned in Trinidad is not applicable elsewhere. For example, I didn't meet any fascinating carnaval characters to make deductions about conquest and colonialism here. Black face? Check. White face? Yup, that too. Gender bending and overt sexuality, for sure! But I didn't see much method, just a ridiculous amount of madness. And madness is what Carnaval is all about, right? I can infer, deduct, study as much as I want, but that just prevents me from understanding what Carnaval is really about: "freeing up", as they say in Trinidad.
Rio’s carnaval is known for it’s commercialism. “Traditional” is not the word I've heard to describe the revelry here. “Party” is more like it. The costumes ranged from boring “Boa Director” Tango hats advertising Antartica beer, to blue tulle skirts, to tiny little pastel hats (Peruvian Quechua style), and, of course, men wearing dresses. Lots of oversized plastic sunglasses, chicken/penguin/beer hats and Amy Winehouses. And I wore a lion hat made out of foam, but some guy took it and now I have his "Jewish" hat, which is pretty nice but I would rather my lion.
The Sargento Pimenta Bloco
Where does one wear these costumes? Blocos, neighborhood parties revolving around a theme and live music, spring up all over the city at all hours. There are blocos that begin at 8:00 am, and others that start at 12:00 am. There are blocos on the beach and blocos in the favelas. There are Bob Marley Blocos and Paulino da Viola blocos. There are blocos for children and...blocos that some people bring their children to, even though the heat and drunken crowds make this seem inadvisable. All blocos have beer. “Mini-blocos” are the small parades that pass through the streets in a moment. The popular or traditional blocos, like the Beatles-themed Sargento Pimenta bloco, attract millions of partiers and stay put. This is the side of Carnaval that I saw the most of (you can't avoid it, everywhere you go there's a bloco!), and I will sum it up simply: a big party. Remember that scene in Black Orpheus where people dance and sing by Orpheus as he plays his guitar? I guess that’s where blocos came from, but the ones I went to have a dramatically different (BIGGER) feel.
http://www.youtube.com/watch?v=-KznlNRyjUg&feature=related
The most important lessons I learned: #1 Blocos are only fun with a lot of friends: new or old, doesn't matter. #2 Being a third wheel/woman guarantees that a lot of strange men will try to kiss you. #3 Don't wear your Havainas, that's just stupid. #4 If you drink beer, you're going to have to pee. Plan accordingly. #5 People are going to try to rob you. Don't do stupid things like wear your purse unguarded in back (This I learned from experience!)
NOT a Bloco: Pedra do Sal, a bi-weekly Roda de Samba. My preference.
E tudo se acabar na quarta feira...really?
Fancy Sailor in Trinidad. This was my first Carnival!
Yesterday, I was walking through Praça Edmundo Bitencourt, a quiet park near where I live. Small dogs greeted each others behinds, neighbors lounged on the benches and octogenarians flung their limbs about on the green exercise machines that the city has set up in every park. I love Copacabana for its energetic octogenarians. Beyond the tweeting of birds and the yapping of those ugly white/yellow/pink dogs that old people always have, a thumping caught my ear. As I neared Rua Figueiredo Magalhães, the thumping clarified into a samba school’s endreo, the song they made to illustrate this year’s presentation.
“A minha Ilha e ouro é prata,
Tem o bronze da mulata,
Canta meu Rio em verso e prosa,
Com a cidade ainda mais maravilhosa.”
I couldn't find any pictures of Carnival in Baton Rouge. This will have to do.
A poetic reference to the upcoming Olympic games...Quickly I was engulfed by the bloco: the urgency of the thumping bateria, the joyfulness of the people dancing and singing along with the loudspeaker. I stood to the side and smiled as they passed, but didn’t even have to resist an urge to jump in. It’s the Saturday after Ash Wednesday. I’m a little tired of Carnaval! When does this party end?
The Infamous Negrita Puloys in Barranquilla! This picture was practically the advertisement for Aliarse, it was so prolific.
Please don’t shake your head and say, “Oh, Eliza, what’s happened to you? Are you getting to old for Carnaval?” No! According to my wonderful neighbors, no one is too old for Carnaval! As I pressed against the wall and passively enjoyed the passing excitement, a grey haired couple sprung hand-in-hand out of their apartment’s gate, skipping and singing along. Two weeks ago, at my first bloco, I jumped in with untapped energy, too. And that was two weeks ago. Every other Carnaval I’ve ever been to has ended with uncharacteristic punctuality on Ash Wednesday. I was pacing myself with that information in mind. But where others stop, the Cariocas keep going. Last night, on the Metro to Lapa for a concert, I spotted a man waiting on the opposite platform. He sat there, alone in his platic seat with an enourmous shiny collar on, his only company a 3 foot tall feathered headress sitting next to him. I think his carnaval was over. In Lapa, fireworks and blocos and unending energy. But finally, on the omnibus home, I saw a homeless person sleeping on a statue. Keeping watch was another beplummed headress. It was a quite and poetic image for me to end this experiece with. Now it’s Sunday. I think it’s over, and I'm not going outside 'till I know for sure! Haha just kidding. I’m going to describe the two main Carnaval activities I participated in in two separate entries because this is getting too long!
What am I doing?? I'll just wear some glitter and try to blend in!
Thursday, February 16, 2012
A Rio Passes through my Life...Again!
Finally, I'm able to wake up again. I don't know if it was the 3 hour jet lag, the birds twittering on the green hill by my window, or too much beer, but for the first week here, leaving sleep every "morning" felt like coming out of a coma! I like to experience the pace of morning and gain momentum throughout the day with the rest of the world. 11:00 is too late.
Monday, December 19, 2011
The Magic of December
But it rained for most of the rest of November. The arroyos were “impressionable”, as Cecelia says, invading houses and carrying away people and belongings. Looking at any horizon at 11 am, grey clouds churned and expanded. If I wanted to go somewhere during the day (like work), I’d have to get across Calle 76 and 75 before the rain began. La Felicidad, La María...arroyos with pleasant names but fierce personalities. November was a special month, marked by weather. But it was nothing like the magical diciembre that everyone was getting so excited about.
People here have been talking about December since the soggy, humid depths of September. With every debilitating arroyo, December dreams are recounted: the quality of light changes, the wind eliminates stagnant air and mosquitos, the rain blows off to elsewhere, and, most importantly, everyone becomes happy. It’s funny how I hear these stories; the first person to say something so grand and sweeping sounded cute and idealistic. When the second person coincidentally made a similar observation I thought, “Oh, ok, another Barranquilla urban legend.” When I realized that everyone was talking about the magic of December, I couldn’t help but suspect some kind of commercial propaganda that has brainwashed the city into a favorable Christmas buying mood, something like what I saw on Friends’ and Lovers’ Day
December arrived on December 1st (haha). It rained that morning, a rain as strong and manic as usual, but with the additional quality of endurance: it down-poured for 3-hours. The city shut down. I realized how the media can manipulate a population when I rode a taxi back home from Transelca. On the radio, we listened to the local news:
“I’m reporting live from Barranquilla and it’s raining really hard here! Sandra, how is Soledad looking?”
“Well, Jorge, its raining in Soledad. There are some strong arroyos and it doesn’t look like it will stop soon.”
“Thanks, Sandra. Now, we have a taxi driver on the line. Driver, is it raining where you are?”
“Jorge, it certainly is raining cats and dogs over here in the north. The traffic is terrible!”
Etc. I started panicking, until I remembered that it rains every day and it only takes about 10 minutes for the surging currents to diminish into a trickle after the rain stops. I did worry, though, that my Aliarse students in Soledad wouldn’t show up, which would have been frustrating, since their final exam was that day. I thought my lunch date wouldn’t show up, since he was locked up in the University way to the north of my Calle 79. When it rains in Barranquilla, nothing is certain. But, around 11, the rain started to taper. The grey light started to clarify. Soon, scattered rain drops were falling through sunshine, and finally the little poofs of wind collaborated to gust away the remaining clouds. My lunch date arrived under a blue sky. The wind blew the door open for him, and we ate on the floor in a splotch of yellow light; warm light, not painful. He said, “This is December.”
Pradomar
It has been December ever since. Even though I made fun of it, I love Barranquilla’s December. The sky is blue, it never rains, and there is a strong, healthy breeze that keeps everything cool and dry. I am leaving the city in the middle of this glorious season, and I am sure I will leave with happy memories. On December 2nd, to celebrate the end of a year of teaching in Colombia, my roommates and I drank cheap champagne on the beach at Pradomar. Because of the rain, the ocean was clean(er). A bar nearby played reggae music. University students on break flirted with each other, and surfers tore up the measly little ripple waves. The sun was in full force, but the light didn’t hurt like it usually does. We ended the night in a posh bar: a lame meat market scene, but at least now I can justify preferring La Troja’s griminess.
The next day, Sandro brought me to his cumbia comparca in Barrio Bajo. The members discussed the responsibility of the Carnaval dancers, and everyone was included in the discussion: little girl dancers, called semillitas, matriarchs who have danced with the comparca their entire lives, young men who feel invigorated contributing to the maintenance of this beautiful aspect of Colombia’s cultural heritage...even me! I felt like I could have been sitting in a steel-band meeting. There are the elements of community that I crave in my life, and that I always find in Carnaval groups. People, when they weren’t talking, listened with smiles on their faces. Obviously, this isn’t something I’ve seen everywhere here, but it was notable to me, that a smile was where these people’s faces rested. I really felt so happy to be sitting there with these strangers. We spent the night with one of the leaders, first on the street and then at La Troja. I danced with everyone on my little corner in the street. Somebody bought me a red rose. I was also given potato chips and aguardiente (haha, I forget to mention the presents my students gave me! An Agatha Christy Novel in Spanish, a well loved plastic carnaval bracelet, a bocadillo with a bite taken out of it...) I think that, because it’s December, I’m starting to understand this city better. That sounds really quaint and ridiculous, but you have to believe me: December is the secret to Barranquila’s puzzle!
Cumbia










